Projects.
I don't always lead. Sometimes the most valuable thing I can do is recognise something worth backing and open the right doors for it. Some of this is current. Some of it is finished. All of it is work I'm proud to have touched.
Collaborations
Builds & Passion Projects
These are mine. Built independently, on my own terms, shaped by the communities around them.
A long-term creative residence and community taking shape in Costa Rica. Named after the infinite serpent of Hindu mythology, cycles, renewal, and stability beneath constant change. The vision is a small, exceptional group of families and individuals building a self-contained place to live and create together. High vibes, high minds, real privacy, real respect for the land. Founding circle is in exploration. Vision is complete. Next up, the perfect land.
With Paola Castro and Magdalena Urban
Past Projects
Projects that shaped how I think — some ahead of their time, all worth doing.
Part of the team behind some of deadmau5's first NFT drops, alongside Weezer, Dillon Francis, and XR artist SUTU. Different price points, different chains, different approaches. The drops were genuinely successful. What followed in the broader NFT space was something else entirely, gross, scammy, and damaging to the credibility of technology that actually had real merit. That's still frustrating to sit with. But the work we did was real and the potential we saw in it still stands.
With Sean Gardner, Trent Shaw, artists: deadmau5, Weezer, Dillon Francis, SUTU
DROP.audio was exploring what a deluxe music release could really mean in dance music, whether a single, EP, or album. The idea was bundled content: stems for remixing, device artwork, sample packs, the music itself, all delivered as a verified digital copy using web3 tech to unlock everything you'd paid for. We did some genuinely exciting work with deadmau5, Tommy Trash, mau5trap, Mr. Bill, and a bunch of other innovators who understood what we were building before most people did.
With Sean Gardner and Trent Shaw
A platform exploring real time streaming payments split via smart contracts, paying artists in tokens the moment their music was played. We proved the concept worked. The market wasn't ready. That's how it goes sometimes, and there's no shame in being early to an idea that was genuinely worth having.
With Sean Gardner and Trent Shaw
Exploring music as a verified digital asset, bringing back the concepts of scarcity that dubplate culture understood long before the internet, using audio fingerprinting and on-chain verification to give music back its value. The vision extended further too, a community with a shared treasury that could collectively invest in the tools the industry actually uses. The founding members never found their momentum, adoption didn't follow, and it quietly wound down. But the ideas were real and the substance is still there, waiting for the right moment. Sean Gardner's vision, and one I supported strongly and believe in deeply.
With Sean Gardner and Trent Shaw


